"Movies and Films"
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Movies and Films

Films and Movies got their beginings over a hundred years ago. These movies were shot bits using, in the earlest days, just a bunch of photografs filpeed in secsesion to give the effect of motion, lasting only seconds to a few minuits. People, from the get go, bacame addicted to this new form of entertainment.

Films went from a qureosity to carnival event on to what we see today.

Thomas Edison's laboratory,Who had his hand in everything, had been developing a motion picture system known as the Kinetoscope.

 

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Movies Can be powerful.

Movies have been used, as in the case of WWII to move people to desire the extermination of a certain group of peoples. Movies have caused riots were hundreds have been killed. They have caused movie goers, as they left the theaters, to start fighting and killing each other.

Movies also can help join people together to do great things. Movies have helped to end wars, end conflicts, and make people more loving and compassionate.

Movies can have a profound effect on the human psyche.
You will notice I said movies "can". Most of the time it requires great talent to produce these effects, or a bit of luck to be able to record natural happenings that will cause these effects.

Because real life is three dimensional, it also has had a life time to develop a relationship with your brain, it is also, to a point, interactive. You can get up at any time and walk out into traffic and cause traffic to react. Don't do this!!
Recorded images are two dimensional and they need to develop a relationship with your brain on the fly.

If this is so what gives movies the edge and so much more power to move us than real life?

For most of us, life is not the movie we wanted to be actors in. It's mundane, boring, repetitive, and we are forced to do things, just to survive, that drive us crazy. I could go on, but I think you get the point.

Most of us are begging for relief.

Ask your self, would you rather go to work today, or become invisible and go looking for private conversations, of others, to listen to. You will be provided with a comfortable chair, soda and chips.

Of course this couldn't really happen, that's why the soaps are so popular.

Soaps are real life episodes presented in an unrealistic person. The "I'm sitting on my couch listening to other people bitch and moan about their pitiful lives." person.

We are all driven by a desire for something different.

Movies must have an unrealistic twists to the scenes or the scenes must contain happenings that are not normal to our regular life. Remember we are sick of real life, we want realities created for us that stimulate us differently.

Here's what happens.

When you watch a movie your mind goes into a hypnotic, almost dream like state. You whole body begins to react to the stimuli created by the movie. Your brain begins secreting chemicals that effect your hormones, muscles, nervous system, the whole body.

You really begin to feel hate, love, sadness, fear, the effects to chemicals released by the body in reaction to the stimuli created by the movie. Stimuli your body and mind are not accustomed to, because the movie has been created, in some way, not to simulate real life.

This is why most home movies aren't that desirable for anyone other than the camera man. The camera man is trying to record life as he sees it. Who on God's earth wants to see life through the a camera man's eyes who's life is probably just as boring as one's own life? Unless it's an event that's of interest "TO OTHERS", most will react to the home movie with the sentiment, been there done that.

Here is the key.

When you look through the eye piece of the camera don't look for what's in the camera's lens! Look for what's in your head. Major productions will have story boards, directors, camera men, millions to spend on sets but it's still the same. The scene must be created in some ones head first, then it must be created for the lens.

Here's the big point.

The scene created in your head is not the scene created by the lens, But must have the viewer in mind. It has to push and pull all the buttons of the viewer that will cause the viewer to react the way you intend the viewer to react.

The scene created for the lens must contain the story and the code to push and pull the buttons of the viewer on top of all that , it must be interesting enough to subdue the viewer into dream land.

How this is done.

A good example is Love Story.

The story is; Boy meets girl. Boy falls in love with girl. Girl dies. Boy cries.

The rest is the code to push and pull the buttons of the viewer and to keep the viewer interested enough to keep him or her in dream land.

Also calculus is the manipulation of algebra.

Now you know how to do both, create great movies and how to solve calculus equations.

What you need to do to become a movie maker.

First you must learn the basics, there are rules and techniques that as viewers our minds have learned to except from years of watching movies. The basics are a must know. You can find all this at a great web site called "video 101" at http://www.video101course.com/

You need to analyze as many great classics as possible. By analyze I mean examine each take of the camera and determine what is being done, and why. For example, when a character has just been told his wife has died, the camera may slowly zoom in for a closer shot of his face and pause for a moment. This is a bit of that code that I was talking about. It tells your mind to dig deep and imagine the worst this man could be feeling. You reflect on your own past and painful moments in life, you grab that pain and put that pain in the movie. The camera even pauses to give you the time it would take most people to do this. As the camera closes in on his face, tears come to your eyes.

Now you can begin to understand that a movie needs that relationship with the viewers mind to become a movie.

The more you involve the viewer the more the movie becomes his or her movie, and every one love their own work.

A closing note.

Low budget productions have done an incredible job of stealing the hearts and minds of the viewing public form the major production companies.

How can a low budget production do this? Well remember I told you that people are sick of the humdrum of reality. It seems the advantage that the huge budgets these major production companies have is also a disadvantage. Because of the huge size of the productions a close adherence to the standard way of shooting a movie must be invoked to keep everyone on the same page.

A large production may have 20 30 cameras all going at the same time, and not in the same place, with a number of directors and editors and so forth. These different parts of the movie may never even talk to each other. To keep everything running smoothly everyone need to stick to the standard way of doing things, which leads to humdrum.

On a low budget production the director may also be the editor. It is very easy to stray or even experiment with drastically different ways of filming. This can lead to realities that no one has even thought possible, and has.

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Written by G. Parsons copyright © 2005 711net.com